In My Element

This post is designed to do nothing more than distract you from whatever you’re supposed to be doing today…you’re welcome!

Last week, my girlfriends and I decided to venture to Panjim, Goa’s capital, for a bit of a field-trip. We hired a taxi, piled in and took on the role of “tourists”, armed with backpacks, snacks and even a Lonely Planet. That sort of makes it sound like we were prepared to trek to Panjim or at least encounter some sort of adventure on arrival. Not the case. Instead, our itinerary consisted of: find cafés, do some shopping and go to the movies.

Within minutes of getting dropped off in the centre of town, we were essentially lost. And sweating profusely. The mood of the day plummeted as we searched for destination #1, The Café Recommended by Lonely Planet, unsuccessfully. After a few wrong turns, we eventually found our little air conditioned oasis. As luck would have it, they only served what none of us wanted: hot tea!

“Do you have ice here? For iced tea?”

“No, madam. No ice. Just tea. And cupcakes.”

“Sold! Red velvet please.”

And thus began the upswing of the day! Once refreshed with a sugar hit, the four of us squeezed into an auto-rickshaw bound for Fabindia, a “fab” shop with authentic Indian clothing, textiles and housewares. Blessed retail therapy…works every time! Moods lifted, wallets got a little lighter, and appetites were whet for popcorn.

We arrived at the theatre just in time to catch the evening showing of ABCD, or Any Body Can Dance, India’s first 3D dance movie. Upon choosing the movie, we had no idea what we were in for: the best movie ever in the history of time! Granted, you’d have to be a fan of dance, and dance movies/shows, to really agree with that statement, but hear me out. Take the original Step Up (because it’s the best of the franchise), mix in some So You Think You Can Dance, make it all 3D and then throw in the most important ingredient of all, BOLLYWOOD. This last ingredient guarantees epic dance ensemble show-downs, layers of plot thickeners that require hours to resolve, and of course, Hinglish, ensuring we’d understand just enough dialogue to follow along.

At intermission—yes, movies this long warrant a 10 minute break at the half-way point—I turned to look at Charlene, who’d been fading earlier in the day and had contemplated bailing on our mission and heading home early. Ninety minutes of ABCD had worked its magic as she exclaimed in wide-eyed wonder, “This film is BLOWING my mind!” And the second half of the film didn’t disappoint either. I’m telling you, by the time we were walking out of the theatre, popcorn-bloated bellies and all, we were all on cloud nine. Just watch the trailer. I haven’t checked to see if it’s playing outside of India, but if you get a chance to see it, GO! Especially if you’re feeling anything less than awesome…this film will rock your world.

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My favourite afternoon workshops with Petri are the ones where he just talks to us, sharing experience gained over decades of practicing Ashtanga yoga. It may just be the Finnish accent that makes it sound so good, but much of what he talks about always resonates with me. Here are some of the ideas that have come up in the last few days…

On the topic of trying to alter a student’s alignment too quickly, such as taking turned out feet in drop-backs to perfectly parallel, with a block between the knees and a strap around the legs:
“Changing alignment too quickly is like someone going from eating only hamburgers to a completely raw food diet in a day…impossible!”

On the topic of how led classes and yoga studio environments in general can breed competition:
“There is the feeling that you need to do more. Instead try to practice peacefully; release the pushing and competition”.

When discussing injury, Petri described how obviously the body is in pain and this creates discomfort, but that the real challenge, and the real benefit, is felt in the mind.
“It’s really about the mind’s yoga practice.”

On the topic of those for whom yoga comes naturally: “When it’s always easy, it’s easy to show off and make it about ego.”

“You can’t think about time in asana.” Progress is natural, not according to a schedule. Stay peaceful and patient.

“When you feel very flexible, it is a dangerous day. Don’t try any tricks. Move slowly to go deeper.”

The main thing I’m taking away from these two weeks is that less is more. Less “acrobatics” as Petri says, “more simple…nothing extra.” That’s not to say that acrobatics like handstands and arm balances aren’t fun, but they’re not the goal. Once everything else is in place—the flexibility, balanced with stability—extras are fine. Petri isn’t the kind of authoritarian teacher that will tell someone not to do something—tricks or otherwise—just for the sake of controlling his students’ practice: “It (policing) takes too much energy…’Don’t do this…don’t do that’…it’s exhausting!”

He shared with us a story about practicing at a time when he was recovering from a non-yoga related injury. Someone asked to watched him practice, and he tried to discourage them, saying that his practice didn’t looking like anything deserving of an audience. But the person still came and watched, and afterward told Petri how beautiful it was to see, how peaceful and elegant he looked. The peace and elegance emanated from his internal practice; Petri knew it felt beautiful, but he didn’t think it looked that way. The moral of the story?

“Make the practice peaceful and joyful on the inside, even if the external form isn’t there. The internal practice reveals the truth of who you are, and true acceptance of your nature/Self.”

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I can’t quite believe it, but my first week at Purple Valley is already nearly over, and I only have one more week left in India before returning home (at least that’s what my plane ticket says…part of me wants to tear it up!).

It was a transition, yet again, to move from Bean Me Up, my home of ten days where I’d managed to amass a great little crew of friends and become accustomed to cold showers, shared bathrooms and, on the plus side, great vegan food, into Purple Valley, where I’d stayed for a month two years ago. As I scootered over to the retreat centre, I couldn’t help but think of how different I felt compared to my first trip, when my dad and I landed at Purple Valley, jet-lagged and unsure of where we were or what to expect from this place. I remember being totally freaked out by the drive from the airport and the seemingly chaotic traffic. I took me the entire month before I felt comfortable even attempting to drive a scooter. Everything I knew of Purple Valley came from friends who’d visited before. I knew nothing really about Goa, what to do here, or where else to go. While nothing has really changed at Purple Valley, or in Goa for that matter, this year’s experience couldn’t be more different from my last. Having already been here for three weeks when my course with Petri began, I was armed with my bearings, my own scooter, and actual answers to new first-timers questions about where to go for coffee, which beaches were nicer than others, and whether it was worth risking severe dehydration to make a deal at the day market!

Best of all, I had already met an amazing group of people here: those who had also been on Emil’s retreat, a few from the “Bean Me Up family” and Charlene and Sara from Toronto. On the Sunday after Petri’s course began, Charlene and I left our new comfy digs at Purple Valley and headed down the road to Villa Blanche, home of the best (albeit most expensive!) all-you-can-eat brunch in Goa. We were meeting up with all the others, and together the nine of us spent a better part of the afternoon gobbling up all sorts of yumminess, including countless cakes and cappuccinos. I sat there feeling beyond happy and grateful for all these amazing people who had come into my life. It was a great start to this final chapter of my trip.

Back at the Purple Valley ranch, it feels as if we’re in the lap of luxury. When Charlene and I moved into our room, the simplest pleasures felt like world-class indulgences: hooks in the bathroom to hang up towels! hot water! shelf space! an international plug power bar! Not to mention comfortable beds (no longer just concrete slabs!), three delicious veggie meals a day, and a beautiful shala in which to practice with world-class yoga instructor, Petri Raisanen.

I was eager to get back into that practice space and once again experience the quiet, meditative atmosphere and magical adjustments that only Petri can provide. After a week of escalating temperatures that finally succumbed to—believe it or not—a HUGE storm last Friday night (it NEVER rains in Goa during dry season…till now), mornings were once again cool as we set off before dawn to practice that first morning. It felt a little like walking into a time-capsule, and I half-expected to see my dad come in sometime after me and lay down a mat for his own sun salutations!

It felt good to be back on the mat after a couple of days off since practicing with Regina, but then about halfway through my practice, the muscles around my left shoulder blade went into a total spasm. I kept going, waiting for the cramp to subside, but became more and more uncomfortable. By the end my practice, I was officially disappointed in my body for letting me down. As if I didn’t already have enough limitations to be working with due to the back injury that’s kept me away from a traditional practice for nearly as long as I’ve been away from India, now I had additional pain and discomfort that I worried would keep me from realizing the full potential of my time with Petri.

But then I talked myself off the self-critical ledge, realized that my body and I are on the same side and not at war, and that this shoulder issue could in fact be a message that I’m not meant to be pushing through traditional Ashtanga sequences anymore, and instead, could benefit from the softness, gentleness and JOY that Emil had taught us to bring onto the mat only weeks earlier. My sudden shift in attitude came in large part from a book I’d just started reading called “Bodymind” by Ken Dychtwald. After only the first few pages, the author had me seeing and thinking about my body differently. The disconnect between right (masculine) and left (feminine) sides, the way in which our attitude, habits and history inform how we carry ourselves, and the relationship between injury and the current circumstances of our lives—all of it had me recalibrating my previous views on the mind-body connection.

Thankfully fate intervened that afternoon, when I was able to receive an incredible treatment from Chris Kummer, the yoga anatomy instructor and body therapist based in Toronto who I’d met briefly at Satasanga Retreat Centre. Seeing that I had “Bodymind” with me he exclaimed, “Oh great! You’re reading that book!” Minutes into the treatment, I could see how his approach reflected much of what I found interesting about Dychtwald’s work. Total body analysis, evaluating posture and movement patters, and the use of multiple therapeutic disciplines led to an indescribable treatment. Throughout it we talked about yoga, teaching, the Ashtanga tradition, and the reevaluation I was doing of whether this practice was right for me.

Since then, my shoulder has healed, but a considerable amount of resistance has remained throughout my body. Resistance to what? Practicing when it’s still cool and dark? To yoga itself? To Ashtanga alone? Perhaps all of the above. Over the past couple of years at home, I’ve integrated more variety not only into my practice, but into my physical routine. In the course of a week, I’ll normally do yoga three times, train at Bang Fitness twice, and incorporate some form of cardio like a spinning class. Since arriving in Goa, I haven’t done any other physical activity aside from yoga (assuming that sweating while sitting still doesn’t count as a workout!). And now in a traditional environment, my practice has gone from “whatever feels good today” to the set (rigid?) sequences that characterize Ashtanga yoga. All the jump-backs and jump-throughs, the linear movement, and daily repetition has thrown my body back into the deep-end. On that first day, I think my shoulder (on the left, feminine side that seeks out softness and receptivity) was screaming at me to pay attention to the fact that we’d (my body and I) had already moved on from this practice and it didn’t understand why suddenly we’d gone back, pretending nothing had changed.

In the last few days, resistance has spread throughout my body, ranging from tightness in the hips making Baddha Konasana feel impossible, to inflexibility in the spine, making every twist more of an effort than it’s been for years. Most challenging of all is the limitation in my backbends. Since my injury, I’ve practiced second series with lots of support from props or the wall, moving slowly and often leaving out the deeper postures like Kapotasana. Furthermore, I’ve left drop-backs by the wayside, since even on good days when I attempt to drop-back, I’m left feeling totally destabilized in my lumbar spine. The last time I practiced with Petri, I was flying through full second series, adding on half of third series, and finishing with the advanced backbends sequence of not only drop-backs, but tick-tocks (springing up into handstand, dropping the feet over into a backbend on the floor, and then springing back onto the hands before coming back to standing). When I admitted to him yesterday how challenging it’s been, being in this seemingly foreign body, he reinforced what I already knew—how having been through trauma has made my back extremely wary of wanting to go back down the same path that caused the original injury. The resistance that’s accumulated over the past week isn’t causing me pain (because off the mat, I feel great), it’s actually protecting me from it. The real yoga practice is no longer just about whether I can grab my heels in kapotasana. Instead, it’s the mental and emotional challenge of accepting my body and its limitations within the Ashtanga framework, while still infusing peace and enjoyment into my practice.

I know I’m going on and on here about myself, but I know my experience—dealing with the fall-out of an injury, coming to terms with a body changing in ways I can’t predict, reminiscing about what used to be easy that is now challenging—isn’t unique to me. I think of those with more severe injuries, whose practice may no longer be physical at all, as well as the yoga mamas out there, the many women I’ve watched in awe, as their bodies morph into life-bearing vessels requiring a completely different approach to asana. More often than not, the source of a shift is the also the source of great learning and growth. So for that reason (along with many others), I’m grateful to be going through this, in an amazing place, with amazing teachers, doing a practice that still, despite its unpredictable shifts, reflects a large part of who I am.

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Hazy Days

February 15, 2013

I haven’t written for a few days now because, honestly, it’s a bit embarrassing to admit how little I’ve been doing this past week. I remember when I transitioned from my month-long retreat at Purple Valley to practicing with Rolf and Marci in Candolim two years ago; at first I had a serious case of [...]

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Stolen Surprises

February 11, 2013

India is an amazing place. I’m convinced that thoughts, intentions, whatever you want to call them, have more power here. In other words, be careful what you put out there, since thoughts manifest into reality quicker than you can say “woah”. I’ve been staying at my new homestead, Bean Me Up, since leaving Satsanga last [...]

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Top Ten So Far…

February 10, 2013

There have been many highlights since arriving in India, so I thought I’d take a moment and share some goodies: 10. The moment I saw my bag coming toward me on the carousel at the Goa airport. We’d made it. Neither of us had gotten lost, and any potential hassle inherent to losing one’s luggage [...]

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Still Points And Transformation

February 7, 2013

Yesterday I said farewell to Satsanga, as our retreat came to an end and I concluded one of the most valuable experiences I’ve had to date. I’ve told you about the morning routine, the challenges of a sitting practice and the shift required in my mindset to approach a daily hatha practice with openness rather [...]

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